MXL V250 Condenser Microphone is a small-diaphragm FET condenser microphone that is distributed by Guitar Center as well as its affiliates. This microphone is very good, and one reviewer on Amazon has compared it to the Neumann TLM 102. Apart from a greater proximity influence, he noticed no discernible difference. This simply means that as you get closer, the bass gets a little heavier. Some people claimed the MXL V250 to perform better than the MXL 900 overall.
It’s a great-sounding condenser microphone with a lot of versatility; just don’t expect the sounds to be light. It’s a little on the light side, but users say that considering this flaw, it’s still very durable. For a microphone with a mid-range sound, the MXL V250 comes is in a pretty good price.
If you’re living in Canada and you order this mic, then you will have a surprise coming at you. This is the mic that every people look for on a low budget.
Sound & Value
The output efficiency of this microphone is very good. You will see the microphone has the ability to capture the ambiance of a room and seems to offer a strong, bold sound. Many people say that it produces a professional production sound. You will also like how, despite being really loud, it managed to stay thorough and articulate.
Since purchasing and using the mic, several people wanted to buy another because they’re so pleased with the performance. The construction is sturdy, but it’s quite light. It has been stated by reviewers that they will not feel confident dropping it.
This mic needs 48 volts phantom control, which can be provided by your audio interface or anything similar. Simply put, it transforms the input from your mic into data for your computer to interpret, and your computer spits it back out into your studio screens, or speakers so that you can hear.
Outside of the screen, this may be the most critical part of your studio. A decent interface is invaluable and can serve as the foundation for your whole setup. These handy little boxes can be used for a variety of tasks including sound cards. They serve as a link between the physical (outside) and digital (computer) realms.
You should be familiar with recording software since you would need to understand how to create a track with it. A shock mount, pop filter, and mic stand are essential for all condensers. Don’t miss out on these opportunities.
Inside the MXL V250
If you open up the MXL V250, you will see that the circuit board looks similar to the MCA SP-1 and MXL 2006. It is a standard transformerless linear circuit of MXL. It is derived from the circuit board that Schoeps developed.
The design of the capsule is a standard small-diaphragm of MXL, fitted inside a brass ring. This “603S” capsule features a 17millimeters 6-micron Mylar diaphragm piled on top of something like a 20millimeters OD backplate and housed in a 22millimeter OD housing. A brass friction ring is screwed on in here to hold the capsule framework together.
The V250 is essentially an SP-1 in a separate body. As a result, both capsule repair and circuit modifications are very open to remanufactured mods. In the sidebar, you’ll find commercial solutions. The specs of MXL V250 are close to the SP-1’s but we will get into the details in a bit.
Thoughts on Your Studio Space
Make an effort to function in a quiet environment or create something to block out unwelcome noise. Make use of Acoustic Studio Foam upon the surfaces and walls where you’ll be placing your microphone or in the contraption, you’ll be making.
If none of this is possible, just drape a duvet over yourself and record under it. This ludicrous and nonsensical approach demonstrates how the mic works and reacts much much better in such an enclosed setting.
Switch off all fans, air conditioners, doors, and other sources of background noise that could intrude on your video. Also, keep your fingers crossed that the next-door dog doesn’t start barking.
- Pressure inclined condenser microphone
- 15mV/Pa sensitivity
- 200Ω impedance
- Comes with a 80db ratio of signal to noise
- 130dB max SPL for .5% THD
- Diaphragm diameter is 17.1mm
- Capsule diameter is 19.9mm
- 30Hz to 20kHz response
- 6-micron diaphragm gauge
- 3.0mA current consumption
- Cardioid mic
- XLR output
- Comes in colors: Silver & Gray
- 10kHz boost
- FET preamp
- The clip, MXL sticker, cleaning cloth, and manual included
- A presence highest at 10 kHz strengthens vocals in a blend
- Ideal for guitars and including pianos as well
- A full-bodied tone from a FET preamp
- For all kinds of vocalists, this is an impressive microphone
- Subtle variations are highlighted by a detailed tone.
- Universal use
- Clean and clear sound
- Really good for the price
- Sticker and cleaning cloth is included in the picture
- 10 kHz boost
- Shock mount not included
The most liked feature of this mic is the clear sound it gives at such a low cost. Almost every customer will admit that it is worth every penny of it. The least liked factor is the 10 kHz boost. Users found themselves lowering around 10 kHz when using this. But that is only for vocals, you don’t have to lower them if you’re recording guitar or piano sounds with it.
Even Canadians who ended up paying around $150 for the V250 are not disappointed with the price hike. One particular customer had gone on to say that he is willing to pay $280 for this mic. This mic works best in a small isolation booth instead of an open big room. So don’t wait anymore and get your right away.
You can also read Rode Video Mic Pro Review.